{"id":25276,"date":"2019-05-14T21:44:14","date_gmt":"2019-05-15T01:44:14","guid":{"rendered":"http:\/\/www.zatista.ie\/blog\/2019\/05\/venice-biennale-2019\/"},"modified":"2019-05-16T21:48:31","modified_gmt":"2019-05-17T01:48:31","slug":"venice-biennale-2019","status":"publish","type":"post","link":"https:\/\/www.zatista.ie\/blog\/2019\/05\/venice-biennale-2019\/","title":{"rendered":"Venice Biennale 2019"},"content":{"rendered":"

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The Biennale Artw 2019 officially opened this past weekend in Venice, Italy. The 58th International Art Exhibition, titled\u00a0May You Live In Interesting Times<\/em>, is curated by Ralph Rugoff and organized by La Biennale di Venezia chaired by Paolo Baratta. The awards ceremony and inauguration were held on Saturday 11th May 2019.<\/p>\n

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From the event’s website: \u00abThe title of this Exhibition could be interpreted as a sort of curse \u2013 stated\u00a0President<\/strong>\u00a0Paolo Baratta<\/strong>\u00a0– where the expression \u201cinteresting times\u201d evokes the idea of challenging or even \u201cmenacing\u201d times, but it could also simply be an invitation to always see and consider the course of human events in their complexity, an invitation, thus, that appears to be particularly important in times when, too often, oversimplification seems to prevail, generated by conformism or fear. And I believe that an exhibition of art is worth our attention, first and foremost, if it intends to present us with art and artists as a decisive challenge to all oversimplifying attitudes.\u00bb<\/p>\n

\u00abTwenty years have passed since, in this same location, I presented my first Exhibition –President\u00a0<\/strong>said – after the Biennale underwent major reform in 1998. Let me tell you, they have been\u00a0very interesting times.\u00a0<\/em>At the beginning we were criticized for the presence of the pavilions, considered old-fashioned in times of cosmopolitanism and globalization, we live in times where some people raise the doubt that cosmopolitanism might also have been a way for the most influential cultural and political realities to exert a sort of\u00a0soft power<\/em>. We are an international exhibition that since those years put the word \u201copen\u201d and \u201cplateau of humankind\u201d as the subtitle for all the following biennials.\u00bb<\/p>\n

\u00a0\u00abDuring these years, we have increased the number of visitors and found a new partner. Over the course of the past years, the double cost of transportation in the lagoon obliged us to ask for additional support, and our expressions of gratitude and our wall labels included many market participants. The increase in the number of our visitors has allowed us to considerably cut back on this practice, as you can see in the drastic reduction in our expressions of gratitude, both when presenting the works and in the catalogues. Our visitors have become our main partner; more than half of them are under 26 years of age. Calling notice to this result seems to me the best way to celebrate the twenty years which have passed since 1999.\u00bb<\/p>\n

\u00abWe want to offer them an open place –\u00a0Baratta<\/strong>\u00a0concludes – where they can feel involved in encounters with the works and the artists, in the direct discovery of the \u201cother\u201d which the work of art offers. To us, it is important that, when entering the exhibit, the \u201cpublic\u201d becomes \u201cvisitors,\u201d who then become \u201cviewers\u201d of the works. First, the necessary disorientation, then the involvement, followed by the discovery; it is almost a fencing drill. To share this direction is one of the reasons we have asked Ralph Rugoff to collaborate with us on this twentieth anniversary.\u00bb –<\/p>\n

The Exhibition develops from the Central Pavilion (Giardini) to the Arsenale and includes\u00a079 participants\u00a0<\/strong>from all over the world.<\/p>\n

Ralph Rugoff<\/strong>\u00a0has declared: \u00abMay You Live in Interesting Times\u00a0<\/em><\/strong>will no doubt include artworks that reflect upon precarious aspects of existence today, including different threats to key traditions, institutions and relationships of the \u201cpost-war order.\u201d But let us acknowledge at the outset that art does not exercise its forces in the domain of politics. Art cannot stem the rise of nationalist movements and authoritarian governments in different parts of the world, for instance, nor can it alleviate the tragic fate of displaced peoples across the globe (whose numbers now represent almost one percent of the world\u2019s entire population).\u00bb<\/p>\n

\u00abBut in an indirect fashion, perhaps art can be a kind of guide for how to live and think in \u2018interesting times.\u2019 The 58th<\/sup>\u00a0International Art Exhibition will not have a theme per se, but will highlight a general approach to making art and a view of art\u2019s social function as embracing both pleasure and critical thinking. The Exhibition will focus on the work of artists who challenge existing habits of thought and open up our readings of objects and images, gestures and situations. Art of this kind grows out of a practice of entertaining multiple perspectives: of holding in mind seemingly contradictory and incompatible notions, and juggling diverse ways of making sense of the world. Artists who think in this manner offer alternatives to the meaning of so-called facts by suggesting other ways of connecting and contextualising them. Animated by boundless curiosity and puncturing wit, their work encourages us to look askance at all unquestioned categories, concepts and subjectivities. It invites us to consider multiple alternatives and unfamiliar vantage points, and to discern the ways in which \u201corder\u201d has become the simultaneous presence of diverse orders.\u00bb<\/p>\n

Get there if you can! It’s a phenomenal art experience.<\/p>\n<\/div>\n<\/div>\n<\/div>\n

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The Biennale Artw 2019 officially opened this past weekend in Venice, Italy. The 58th International Art Exhibition, titled\u00a0May You Live In Interesting Times, is curated by Ralph Rugoff and organized by La Biennale di Venezia chaired by Paolo Baratta. The awards ceremony and inauguration were held on Saturday 11th May 2019. Get there if you can! It’s a phenomenal art experience. Runs through November 24, 2019…<\/p>\n","protected":false},"author":5,"featured_media":25277,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[333,670],"tags":[2269,2889,1171,2890],"class_list":["post-25276","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-art-fair","category-art-styles-and-mediums","tag-art-biennale","tag-biennale","tag-venice-biennale","tag-venice-biennale-2019"],"yoast_head":"\nVenice Biennale 2019 - Zatista.ie<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.zatista.ie\/blog\/2019\/05\/venice-biennale-2019\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Venice Biennale 2019 - Zatista.ie\" \/>\n<meta property=\"og:description\" content=\"The Biennale Artw 2019 officially opened this past weekend in Venice, Italy. 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